Day 9’s painting is oil on canvas board, 5″ x 7″
It is available here.
Isn’t he a cuddly fellow?
Posted in 30 in 30, art, contemporary art, Denver, fine art, new art, painting
Tagged #30 paintings in 30 days, 30 in 30, and bears oh my, bear, cold bear, the gaturs
Oil on canvas board, 5″ x 7″.
Available here.
I don’t know that I’m in purgatory, but I’m certainly in an in-between place just now, with the end of the month deadline looming for vacating my studio.
But the Sufjan/Gallant below makes me feel better. Beautiful music is medicine.
Posted in 30 in 30, art, contemporary art, Denver, fine art, new art, painting, Uncategorized
Tagged Blue Bucket of Gold, Gallant, Katie Hoffman, Purgatory, Sufjan Stevens, The In-Between Place
I was ahead and now I’m playing catch-up. Funny how quickly that can happen. Day 7’s painting is “On Deaf Ears,” 5″ x 5, oil on stretched canvas.

It is available here.
The song below is the best song, in my opinion, from XTC’s brilliant mid-eighties album Skylarking. I think it has held up very well over the years.
Posted in 30 in 30, art, contemporary art, Denver, fine art, Inspiration, new art, painting
Tagged #30 paintings in 30 days, 30 in 30, Dear God, Katie Hoffman, On Deaf Ears, Prayer, Skylarking, XTC
Posted in art, contemporary art, Denver, fine art, new art, painting, Uncategorized
Tagged #30 paintings in 30 days, 30 in 30, A Winter Day's Walk, Joni Mitchell, Urge for Going
In times of turbulence and an uncertain future, my mind casts itself toward magical thinking and mythical creatures. A Djinn is an Arab mythological creature made from smokeless, scorching fire. You have probably heard of the famous Djinn who emerged from Aladdin’s lamp.
If you had only one wish, would you wish for more wishes?
5″ x 7″, oil on canvas board.
Available here.
Posted in 30 in 30, art, contemporary art, Denver, fine art, new art, painting
Tagged #30 paintings in 30 days, 30 in 30, Djinn, Les Djinns, Lili Fatale, wishes
Today’s painting is about my black cat, Diablo. His weight this morning, taken despite much indignity but no scratching (this time) is 18 pounds.
He is growing increasingly spherical in shape and has to squeeze tightly through the normal cat-sized door to enter the room where his food is kept. Perhaps this will limit his future weight gain, Winnie-the-Pooh style. We’ll see. (I suspect the neighbors of feeding him on the sly, but only God knows why they would.)
Posted in 30 in 30, art, contemporary art, Denver, new art, painting
Tagged #30 paintings in 30 days, 30 in 30, monsterpussy, the vaselines
I’ve been searching for a reason to keep painting. I found Leslie Saeta’s 30 in 30 challenge and it has given me some steam. Happy New Year to all.
Edit:Last year I learned a new word, “Ekphrastic.” My friend Valerie Savarie, an altered-book artist, put together an exhibit with that title in which poets responded to works of visual art with their literary works, then read their poems aloud at the opening reception.
Yesterday, I was thrilled to read poet Ken Smith’s “Clown College Failure,” sparked by his looking at this painting.
Clown College Failure
At the end he had that unconvincing smile, maybe half a tube
Of grease paint, one green shirt with matching pants, a box
Of small hats with massive wigs, and a keen sense of the shocks
That flesh is heir to. On the wide college lawn, after he begged
The dean of clowns for another chance to play the hapless rube,
The world said the role is yours and the world has not reneged.
Ken is a writer and English professor living in South Bend, Indiana.
Check out his Twitter feed here, and listen to him read his Michiana Chronicles essays here.
Thank you for the ekphrasis, Ken!
Posted in 30 in 30, art, contemporary art, Denver, new art, painting, poetry
Tagged #30 paintings in 30 days, clown college, ekphrasis, ekphrastic, Indiana, Ken Smith, Michiana Chronicles, poem, Poet, South Bend, tears of a clown, valerie savarie
Just over four years ago I lucked into renting an affordable, highly visible studio space in the heart of Denver’s Art District on Santa Fe. It has come to feel like home to me, and my fellow Fresh Art Studios artists – Claudia Roulier, Jon Koenigsberg, Dave Wyzenbeek, Terri Bell, and Anthony Camera– feel like family.
Three weeks ago, we got the sad news that the building has been sold and we are to vacate by the end of January.
I won’t be immediately seeking another public studio space in Denver’s current rent climate. I will be putting the larger paintings in storage for now, and trying to remain optimistic about what 2016 holds in store.
To facilitate this move and the storage, I am offering 25% off of all paintings that are 20″ or larger in any dimension, just until the end of January. You can check out the available works here Katie Hoffman Fine Art, and see a few examples below.
“Crossing the Waters (Flowers for Esmin Green)”
Oil on canvas, 30″ x 40″ $1050 $785 if purchased before the end of January
“Chimera”
Oil on Canvas, 40″ x 40″ $1350 $1000 if purchased before the end of January
“Elephant”
Oil on canvas, 36″ x 36″ $1250 $900 if purchased before the end of January
“This is the Priest All Shaven and Shorn”
Oil on canvas, 30″ x 30″ $935 $700 if purchased before the end of January
Wishing you and yours a Happy Holiday!
Posted in art, contemporary art, Denver, fine art, painting
Tagged Changes, Childish Gambino, Chimera, Crossing the Waters, Denver's art district on Santa Fe, Elephant, Flowers for Esmin Green, Fresh Art Studios, Katie Hoffman, Nothing Gold Can Stay, sadness and change, Studio Closing Sale, The Priest All Shaven and Shorn, What Kind of Love