Category Archives: fine art

Earworm

12″ x 12″, oil on canvas.

(I don’t want to get) Bitter

And so I won’t.

Life is sweet and I finished a painting  yesterday. Pic to come soon.

I love Jill Sobule!

May those who love us love us.
And those that don’t love us,
May God turn their hearts,
And if He doesn’t turn their hearts,
May he turn their ankles,
So we’ll know them by their limping.

-old Irish curse

Delight

I mistrust my own feelings of delight and have for several years, knowing that what goes up must come down.

But- I feel delighted nonetheless and the light is certainly changing in Denver. All at once, things are warmer and brighter and the arrival of spring seems certain. This has lifted my spirits considerably… I have cut forsythia branches and taken them inside to brighten the house within the next week or two. They are johnny-on-the-spot reliable when taken inside at this time of year; outside, it’s much iffier. Late freezes can kill all those hopeful buds.

I have a largish painting, a Cabatisto, on the easel and in the works this evening.

I have a smallish painting about earworms in the works as well.

It is Lent and that means something to me, though I’m not sure why.

I think of Lent, I guess, as the darkness before the dawn and a good time to exercise self-sacrifice- knowing that this must have as many meanings as there are souls out there.

(I haven’t smoked in two months. I think I smell fabulous, but that’s entirely subjective.)

This is something else that delights me as I paint tonight- a pianist named Geno Pallila. A lovely Chopin improvisation. I thank the gods for technology, which makes this huge world smaller in so many inexpressible  ways.

Crossing The Waters

(Flowers for Esmin Green)

Oil on canvas, 40″ x 30″.

If any one can define specifically for me the what the “pompitous of love” is I’ll give ’em five bucks.

(It’s about all I can spare.)

Je ne sais pas

Some people think the most important phrases to learn in a new language are “Please,” “Thank you,” “Direct me to the washroom,” “I am in pain,” and “How much does this cost?”

Those are all very useful, but for me, what I most want to learn to say in any language is “I don’t know.”

Because I never do.

Right now I don’t know how many paintings I’ll have for my May show or how I’ll manage to bring the one on my easel right now to a satisfactory resolution.

I don’t know what the paintings will be “about” (and some one is bound to ask me that-ugh) or what I’ll title my show.

I’m tempted to call it “More Paintings about Rats and Balloons.”

Maybe I’ll resist that urge. Maybe not.

Maybe I just need a good night’s sleep.

I don’t know if that will be possible tonight.

Je ne sais pas.

Kay Sorpresa

The Patron Saint of Shock and Shiver.

24″ x 12″, oil and gold leaf on canvas.

May god forgive me for the terrible pun.

Sticky Jam

Oil on canvas, 6″ x 6″.

Joe & the Flowering Envy

Oil on canvas, 8″ x 8″.

A Bird in the Hand

Oil on linen, 6″ x 6″.

Fall in love and fall apart

Dana Cain is curating her first show for CORE New Art Space. For “The Love Show,” she has conceived a full-blown metaphor of a love affair to give the exhibit a life of its own. Each weekend has special events that echo the stages of love- the joys and the pains.
Opening reception this Friday, Feb. 12 from 6 to 10 PM includes valentines signed by the artists for the first 100 attendees, a PDA photo booth and the arrival of Dream Date Phil Bender and his lucky contest winner/date at 8:30 PM.

Ain’t love grand?

Please ignore the annoying all-caps.

I know neither why it happened, nor how to change it.