Category Archives: Denver

24th Annual Fine Art Market Show and Sale at the Arvada Center

for Arts and Humanities.

Many wonderful local artists display their wares at this show, and the opening reception is lovely; beautiful young people in ties walk around with trays of pastries and things, offering them up. I will have 13 pieces in this exhibit. Most are tiny and brand new. There is also a new thing this year for people who have cell phones (i.e., everyone on the planet except me). You can dial in a number and hear each artist say whatever they’ve chosen to say about their work. What a world!

Bibelot

I will have the following paintings at “Bibelot,” a show of miniatures hosted by Kanon Collective in the Santa Fe Art District in Denver. The Show opens this First Friday, December 3 and runs until December 31. Thanks, Kanon!

“Blindsight,” oil on canvas, 12″ x 12.”

“The Angel of Death has a Girl in Every Port,” oil on canvas, 11″ x 14″.

“The Voice in the Waves,” 14″ x 11″.

Biblelot may sound like it has something to do with pillars of salt and tie-wearing strangers who come knocking at your door with poorly illustrated pamphlets about lambs and lions, but it doesn’t. The dictionary tells me it is a “small object of curiosity, beauty, or rarity.”

Mile High Lemon Meringue Pie

I finally made a lemon meringue pie, a couple weeks ago, with my mom.

It was delicious.

I’ve found that it’s necessary to be there in the flesh to absorb every step and nuance of a family recipe, because so many cooks don’t remember to tell you every detail. And details can make all the difference.

My mom had a hell of a time getting lemon pie (my father’s favorite dessert!)  just right when our family first moved to the Denver area in the 1970’s. Recipes that called for cornstarch never set up the right way. After many attempts, she came up with this flour-thickened recipe which I made once again today with my daughter. We’ll finish the meringue part tomorrow morning and bring it to our Thanksgiving feast.

Pie crust:

As for any cream pie, you’ll need to bake this pie shell first (after pricking it all over with a fork so it won’t shrink up) for about 15 minutes in 400 degree Fahrenheit oven and set it aside to cool.

I’ve taken to using the Marie Callendar’s frozen pie crusts. They’re a little pricey, but they’re as good as something I can make myself. (No, they’re not paying me. I have no idea who they even are. They’re probably owned buy some monstrous evil mega-corporation like Monsanto or something, but the crusts are really tasty.) The other brands and the store brands are awful- I wouldn’t even think about it. If I made it myself, the crust would contain:

1 cup white all purpose flour

pinch of salt

1/3 cup whatever kind of shortening you choose (I use butter but using half milk-based margarine, e.g, Parkay and half butter can give it a nice long flake and make it less crumbly. Crisco works for fine for texture but it won’t taste lovely like butter will. I’ve heard good things about using a combination of butter and lard from old women who I trust but I’ve never used lard, myself.)

3 tablespoons (more or less) very cold water.

You mix the flour, salt, and shortening with a fork until it’s in little pea-sized lumps and add the water one tablespoon at a time, mixing after each addition and assessing the consistency. Depending on the humidity in your kitchen & whatnot you may need more or less than 3 tbsp. You want it to just start to hold together and be able to be formed into a ball and not totally fall apart when you roll it out.

Take this ball and roll it out on a floured surface with a floured rolling pin, quickly and lightly. Everything should be as cold as possible (a marble rolling pin and marble slab for rolling it out work very well to keep everything chilly.)

Once you have it rolled out into a thin circular form which fits your pie pan, gently fold it into quarters to transfer it to your pie pan, then unfold. Use a fork to crimp the upper edges and make everything pretty. Or skip this whole long step where you get flour all over everything in your kitchen use a thawed Marie Callendar crust, like I do. Either way, prick it all over and bake as described above.

Lemon Filling:

1 and 1/4 cup white sugar

1/2 cup flour

4 egg yolks, beaten (separate your eggs and set the whites aside in the refrigerator for making the meringue later. I recommend using really good organic free range eggs for this because the meringue, if you think about it, really isn’t exactly cooked. )

1 cup water

1/4 tsp salt

1/2 cup freshly squeezed lemon juice, divided in half (about two lemons’ worth)

A teaspoon of lemon zest (the finely grated skin from one of those -washed!-lemons)

5 tablespoons of butter, divided in half

Combine the sugar with the flour in a nice heavy pot and mix it well before adding the water, the beaten egg yolks, the salt, half of the lemon juice (1/4 cup) and half of the butter (2 and 1/2 tbsp). Cook this over a medium-low heat until it’s thick like pudding, stirring the whole time with a wooden spoon. Don’t go off and forget about it. Take it off the heat once it’s nice and thick and stir in the rest of the lemon juice, the rest of the butter, and the lemon zest. Keep stirring it for a good long while as it cools and continues to thicken.

Once this is somewhere between lukewarm and cool, depending on your preference and your patience, pour it into your baked pie crust. Set it aside for a few minutes while you make the meringue that you’ll top it with.

Meringue:

Retrieve those four egg whites from the refrigerator. Mix them with 7 tablespoons of white sugar and 1 teaspoon of vanilla. Use an eggbeater or an electric mixer and beat the mixture until medium stiff peaks form; nice and firm and fluffy. Spoon the meringue onto the top of the pie and put the whole thing under a hot broiler very briefly, watching it and turning it the whole time until it’s just beautifully golden brown. It’s hard to not burn your hands while doing this- one of those torches like they have on the tv food shows would probably be great for this purpose. But I really don’t know.

You can serve this warmish pie right away or refrigerate it for a few hours. Be sure to cover the top of the pie with some sort of plastic dome or foil tent if you refrigerate it, though, so the meringue doesn’t get rubbery. The meringue is the most delicate flowery bit of the whole recipe- it doesn’t stay lovely for long.

Happy Thanksgiving!

Some things last a long time

Thank you, Mike Lownie, for reminding me that Daniel Johnston exists in this world. You brightened my whole day (as grey and dreary as it looks from the outside here in Denver on the unusually late date of our first snowfall of the season.)

I will have tiny and affordable paintings for sale at the Foothills Center Holiday Market, which opens this Friday November 13, with a reception from 6 to 8 pm.

This show will last a (relatively) long time. It hangs from November 13 till December 30.

Mermaids Singing (What the Water Wants)

With apologies to and in appreciation of T.S. Eliot and Sufjan Stevens.

And countless others. Always.

Oil on wood, 6″ x 36″.

I’ve finished this oddly sized painting for a group show titled Syzygy (we’re all working on this same long, narrow panel) that will open at Sync Gallery on November 19th and hang until December 11th.

Many thanks to the good people at Sync for inviting me.

Night owls

Chine-collé monotypes made at the Art Students League of Denver.

They started to morph away from owl and toward floating groucho glasses at the end.

10-10-10

“One must imagine Sysiphus happy.”

-Albert Camus

In progress. Happy/Sad.

At the Art Students’ League of Denver, I’ve been enjoying making the monoprint “ghosts”- the second impression of ink left on the plate after the first printing- more than anything. The surprises there delight me, and though some areas are pale and perhaps too washed out they all present as possibilities to be expanded, worked into with color. Maybe ink, or watercolor, or colored pencils. I’ll probably go back into this one, “Happy Hour.”

Very sad to hear of  E.C. Cunningham’s passing. MSCD Professor and printmaker extraordinaire, E.C. taught me and hundreds thousands of other art students how to make our very first prints. Serving on my thesis committee when I (finally) graduated just a few years ago, he asked me some tough, open ended  questions that I’m still thinking about. Thank you for teaching me, E.C. My thoughts are with your family and friends.

Talking Pictures

How do you want your work to speak to people?

I’d like mine to speak with an Eastern European accent, in hushed and urgent tones of things sweet and scary that people remember right before they drift into sleep.

But I’ll settle for my work saying “Look at me for more than a nanosecond.”

I talk about this briefly on my friend Annette Coleman‘s Blogtalk radio show, “Art Marketing and Artist Networking for the Visual Artist,” here. This episode, “Potpourri,” is a compilation of bits from the previous shows hosted by Boulder, Colorado artist Annette and co-hosted by Denver artist Jim Caldwell.

A handful of ATCs

I wanted to experiment with Marblex air-dry clay, so I used it to make cards for our special trade at the CORE exhibit.